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He also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are predominantly very forceful but not overly detailed.
There, he studied classical Greek and Roman art and copied works of the Italian masters.
Rubens specialized in making altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.Rubens' experiences in Italy continued to influence his work.He continued to write many of his letters and correspondences in Italian, signed his name as "Pietro Paolo Rubens", and spoke longingly of returning to the peninsula—a hope that never materialized.He received special permission to base his studio in Antwerp instead of at their court in Brussels, and to also work for other clients.He remained close to the Archduchess Isabella until her death in 1633, and was called upon not only as a painter but also as an ambassador and diplomat.